About us

Resale Royalties Aotearoa Toi Huarau (RRA) is a not-for-profit organisation established to administer the Artist Resale Royalty scheme in accordance with the Act, and the Regulations. RRA is a wholly-owned subsidiary of Copyright Licensing New Zealand (CLNZ) a non-government, not-for-profit organisation.

RRA were appointed by the Minister for Arts, Culture and Heritage as the collection agency for the purposes of the Act.


Our name

Our Māori name Toi Huarau means ‘art of many benefits, for many people’; toi meaning art or artwork; hua meaning benefit, fruit; rau meaning many or numerous.

Our name is inspired by our kaupapa of providing mutual benefit to visual artists and their successive generations, as well as the wider visual arts community.

Our role

The Artist Resale Royalty Scheme enables eligible artists (or their successors) to receive a royalty payment each time there is a qualifying resale of their original visual artwork

The role of RRA is to collect and distribute the royalties to eligible artists (and their successors) in accordance with the Resale Right for Visual Artists Act 2023, and the Resale Right for Visual Artists Regulations 2024 that came into force on 1 December 2024.

The scheme has been operational since 1st December 2024.

FAQs

  • Has there been any consideration regarding the extension of copyright duration that will be enacted sometime in the next four years?

    Currently the artist resale royalty will apply for 50 years after the death of the artist which aligns with New Zealand’s current Copyright Act. However our understanding is that the Copyright term will be extended prior 1 May 2028, and we would expect that the ARR term will then also be extended to align with the Copyright Act. 

  • How do I update my details?

    To update personal information and contact details, you can log into the RRA portal and make changes. To update declarations or any other information, please email us at kiaora@resaleroyalties.co.nz

  • How do you define ‘limited number of copies’? 

    The Act does not define what a limited number of copies is, although there is provision in the Copyright Act that a 3 Dimensional artwork that has fewer than 50 copies produced is copyright protectable, so this might be a useful benchmark. We suggest using good faith best efforts to do your due diligence in researching, and keep a record of your research in case it is needed at a future date.  If you have any concerns or want to discuss then please just get in touch with us. 

  • How does it work when an art consultant facilitates a resale between two private parties?

    The resale is considered a professional resale because an art market professional is involved.  That means, provided it meets the standard criteria, it will be a qualifying resale.

  • How does Section 7(3) of the Act relate to “commissioned” artwork?

    Section 7(3) of the Act states “An artist has a right under this section irrespective of whether they are or were the first owner of copyright in the artwork.”

    This means that if the artwork was “commissioned” (as per Section 21(3) of the Copyright Act), then the artist who created the artwork is not the first owner of the copyright, and is still therefore potentially eligible for the artist resale royalty, as long as they are an “Eligible Artist”, the artwork is an “original visual artwork” by the artist, and the resale occurs before the right to receive the ARR has expired (see checklist 4 for more detailed information on when the ARR right expires).

  • How is the resale value calculated?

    The resale royalty payable is calculated at 5% of the “resale value” of the qualifying resale (section 16).

    Section 10 says that “resale value” means: “the value of the consideration given for the visual artwork under the contract for resale” which may include:

    • the amount paid in New Zealand dollars;  
    • the value of goods and/or services paid in kind;  
    • (if paid in another currency), the amount converted to NZD at the date of payment.   

    ‘Resale value’ does not include:

    • goods and services tax (GST; or
    • duties, levies, or taxes (etc) under the Customs and Excise Act 2018; or
    • any costs associated with the resale, for example, a commission or a buyer’s premium” 

    Plain English Guidelines

    In plain English, this means that the “Resale Value” is the amount the buyer has agreed to pay the seller for the artwork itself.   All external and other associated costs (taxes, fees, or levies, etc) are separate to (not part of) the scheme or the Resale Value calculation.  This ensures the value of the royalty relates directly to the value of the artwork itself, and is not subject to other external or variable factors.

    For example:

    An original visual artwork sells at auction.  The sale and purchase agreement records that the buyer will pay $2,000 to the seller as consideration for the artwork (plus any applicable fees and taxes).  

    Under the AMP’s terms of service, the parties agree that the seller will pay the AMP a 20% commission ($400) for acting as its agent, and the buyer will pay the AMP a 15% premium (additional amount) ($300) for facilitating the resale.

    Resale Value

    Assuming the Act applies, in the example given above:

    • The “Resale Value” is $2,000 because, in terms of s 10(1) of the Act, that figure represents the value “given for the visual artwork under the contract for resale”. 
    • In plain English, this is the amount the buyer has agreed to pay the sellerfor the artwork”
    • The artist is entitled to a 5% share in that Resale Value = $100 in this example.  (The AMP and the seller are jointly and severally liable to pay the $100 royalty to RRA).

    Other Associated Costs:

    Other fees, costs, taxes etc may or may not apply to the sale.  These are, however, separate matters to the value given for the artwork. 

    It is important to distinguish these other transactions from the “Resale Value”.  Note that commissions, premiums, taxes, and other costs are usually separately stated in your legal documents and invoices.  For example, they may appear as separate & distinct line items to the hammer price, within the same invoice (or in separate invoices).  They may appear in the AMP’s terms of service rather than in the contract for resale. 

    A helpful way to distinguish “Resale Value” from “costs associated” is first to ask (1) who is paying whom, and second to ask (2) in respect of what?  For example, “Resale value” is (in plain English) the amount the buyer has agreed to pay the seller, for the artwork.   By contrast:

    • a “buyer’s premium” is, first, an amount the buyer has agreed to pay to the AMP (i.e. not buyer to seller).  It is, second, not given “for the artwork”, but rather for the AMP successfully facilitating the resale. 
    • “commission” is, first, an amount the seller has agreed to pay the AMP (i.e. not buyer to seller).  It is, second, not given as consideration “for the artwork”.  Rather it is given for professional services related to the resale (e.g. marketing, valuation, handling & housing of goods, administration, auctioneering, and other professional services etc). 

  • How much is the resale royalty payment?

    The amount is the same for both eligible artists and successors, a 5% royalty will be collected for eligible artists each time there is a qualifying resale of their original visual artwork. 

    The collection and distribution of the payment is managed by RRA, a not-for-profit. RRA will retain 20% for the purpose of funding RRA operations and distribute the remainder of the royalty to the visual artist or successor.

  • How will the scheme work for galleries who often buy at auction to re-sell? Will the royalty be payable twice?

    A royalty is payable on each resale.  

    Who is liable in each instance is answered by section 17 of the Act.  The seller is always liable, and generally their agent will be jointly and severally liable.  Generally a buyer won’t be liable unless no agent is involved.  

    To give two contrasting examples:

    Where a gallery buys from an auction house or art consultant (who is acting behalf of a seller), the liable parties will be the seller and the seller’s agent (i.e. auction house or art consultant).  It’s unlikely the purchasing gallery would be liable in this scenario (unless the seller actually has no agent, and the buyer has no agent). 

    Where a gallery buys directly from another gallery (without using any agents), then the buying gallery will indeed be jointly liable with the selling gallery to pay the royalty on the purchase.   (How the two galleries share this liability will be a private matter).  The buying gallery will then be liable as a seller if/when they come to resell.  

  • RRA policy on non-compliance

    If a liable person fails to pay a resale royalty, or fails to provide the required reporting information, or if any other requirement of the Act is not complied with, then the Act provides that the Collection Agency may apply to a court for orders enforcing these obligations, and for any other order that is appropriate for an infringement of a property right.  The Act provides that this does not limit any other proceeding that may otherwise be taken by the Collection Agency, a right holder, or any other person affected.  Nor does it limit any other power of the court.  

  • What are the requirements to report all secondary purchases to RRA, or only those that are a Qualifying Resale under the Act?

    You are only required to report a Qualifying resale as defined in the Act. The scheme will operate on good faith and the belief that you are better qualified to determine whether a purchased item is a qualifying resale or not, and we will not be investigating your decisions unless independently alerted